news

Old Joy

Repost from old blog, 4/20/2008God, how stupid is this? While wasting a perfectly good half-hour browsing user reviews on Netflix, I became troubled by all the negative reactions to the 2006 film “Old Joy,” which was one of the best movies I saw that year. I was compelled to write my own review, but when I tried to submit it Netflix gave me this dumb error and wouldn’t take it. I’m going to post it here so my waste of time isn’t even more wasteful. Why do I fucking care what people on Netflix think of a movie I like? I hate the internet – it’s like this, you know, continually making mountains out of molehills, getting you lost in little insignificant alleys of data and opinion that are fucking meaningless, time-wasting, ignorance-building, distracting.

And so, my take on “Old Joy”:

The opening scene of “Old Joy” shows a man meditating in his back yard, and getting distracted. I suppose that’s as good a metaphor for all the negative reactions here (on Netflix) as any. This is a movie that requires you to sit, to let go; but naturally some viewers are going to get anxious – for movement, for change, for distractions. I wasn’t one of them. This was one of the best movies I saw last year. It’s certainly not about plot or characters changing and having some grand revelation. It’s meditative, it’s poetic, it gives you spaces in which to think and to lose yourself. The characters are wholly convincing and fully realized. Subtlety like this is rare.

Note from 2010: As of right now this film is available to view on Netflix Instant View.

3 Comments

Kickstarter Love & Wrap-up

For lack of any appropriate images to go with this post, here is a picture of Matthew McConaughey as Wooderson.

What can I say about Kickstarter and my awesome backers that I haven’t said already? Nuffin. I recently sent out my rewards (aside from the book itself, which is coming out God-knows-when), and hopefully everybody has gotten them by now (and if you haven’t you should maybe let me know). So I just wanted to give a shout-out here to all the backers who helped me achieve my dream of producing an illustrated book.

I love all of these people (and if you’d like me to remove your name from this list or link to your blog/site/whathaveyou, let me know!):

Amanda O’Dell
Andrew Aiello-Hauser
Dario
Headmaster Magazine
James Champagne
Jason Quest
Johnny Murdoc
Katie Johnston
Martin Gómez H
Matt Gallaway
Mike Riley
Natty Fan
Yves Sauriol
R Wheatley
Rob Wolfsham
SeraSera
Swisschris
Yancey Strickler

3 Comments

Sister’s Boyfriend Redux

Joe Gage showed me this clip a couple of years ago, a deleted scene from Cameron Crowe’s “Almost Famous,” and I’ve finally discovered it online. I remember the ending being drawn out a bit more, with more attention being drawn to the boyfriend’s mysterious hand motion, and extended eye contact between them…but maybe I just watch too many Joe Gage movies.

3 Comments

Young Dennis Quaid


Okay, sure, I re-watched Dreamscape on Netflix for pretty much the sole reason of reviewing this memorable shot of a young Dennis Quaid in bikinis that rival the size and purposelessness of Ripley’s. But it’s actually a pretty good movie with some fantastic imagery, amusing performances (wherefore art thou, David Patrick Kelly?), an inspired score by Maurice Jarr, and sexiness beyond the obviousness of Dennis Quaid’s flat stomach and juicy butt. Recommended!

1 Comment

First Time Taking Acid

Repost from old blog, 3/28/2008I remember feeling unready. It was my senior year of high school, many of my out-of-town friends had tripped, and they announced that they were coming into town in a few hours, bringing blotter, and we were all going to trip together.

N– had the house to herself that night, a Friday. When everybody got there they had already dropped, so we took ours. First thing I remember is that my friend Neil, always the provocateur, brought along a movie, and we watched this as the acid took hold: “The Miracle Worker.” One clear image: Helen Keller’s father leaning into the crib, realizing that the baby was deaf and blind, and screaming into its face. Oh my God.

I went outside. It was night, but there seemed to be light everywhere, shifting over the yards and houses of the neighborhood in sheeting, nebulous patterns. Matt was on the back porch, having a bad trip, his eyes wide and nervous.

Mike was eating party mix, that all-purpose concoction of mini-Melba toast, cheese crackers, pretzels, peanuts, whatever else. “You know why they call it Party Mix?” he said. “Cause when you’re at a party, you don’t give a fuck what you’re eating.”

Dan was in the dark bathroom, alone. Someone went in to see what he was up to. “Nothing,” he said, sitting on the side of the tub and looking nervous, like he was trying to cover something up. “What’s going on?” they said again, and looked behind him. He’d knocked over a candle, and spilled glorious ribbons of red wax all over the white porcelain.

I remember being distinctly creeped out by The Prodigy’s “Breathe” video. Who wouldnt’ve been?

In the morning we took a tour of Blairsville, my rural town. Somebody wanted to go to Bolivar Falls. Julie hated the idea; had been there a thousand times. “Everybody always wants to go there, and it’s this huge long walk up a hill and it’s not even that great anyway.” But we went still; to a little waterfall and swimming hole deep in the woods. Neil looked around at graffiti’d rocks, trash on the ground. “It’s exactly like I thought it would be,” he said. Nobody wanted to jump in; Neil eventually did, though, out of principle.

Next we went to the abandoned mental hospital. We found an old silo filled with water on which was a layer of fluorescent green algae. “This would be a perfect place to hide a body,” Matt said. He never forgot about that silo, and when I told him years later that it had been torn down, he was sad.

I had been recruited to drive. On the way out of the field I backed into Eric’s car. No damage, just a scare. Oh well.

We went to the park and waded in the stream. God, where didn’t we go? I felt like we’d lived for days in the space of one night. At some point it had to end. I didn’t feel changed from the experience, like everyone said I would. I hadn’t had any huge insights. I felt like I’d taken a drug and that was that.

0 Comments

First Time Taking Ecstasy

Repost from old blog, 3/15/2008It was the fall of 1998; I was a freshman in college. N–, my best friend from high school, invited me to come along with her and two other girls to someone’s house in Morgantown, West Virginia, to take ecstasy. I’d already done acid and mushrooms by then.

Kari* was driving, Lisey was riding shotgun, N– and I were in the back seat. I knew Lisey, but I’d never met Kari before. They were sort-of girlfriends. I was struck by the music Kari was playing. “It’s Belle and Sebastian,” she said, and had to repeat the name a few times cause I’d never heard of them before. The album was The Boy with the Arab Strap. “It’s their new album,” Kari said. “I liked their last one a lot, but I’m not too sure about this one.” I immediately fell in love with it; the music hit me deep in a rare way. Already it was feeling like a magical trip.

Night was falling as we reached Tom and Erin’s house, who were Lisey’s friends. They were ravers and were my first exposure to that scene. Everyone said that your first time taking ecstasy was your best. The stuff they sold us was said to be “molly”; close-to-pure MDMA. I’m inclined to think it actually was. It was in a capsule; a whitish powder. In retrospect it had the properties I came to associate with purer forms of ecstasy – a rolling, cresting sensation with intense peaks and vibrating valleys.

I’m shaking as I write this.

We stayed in the house the whole time. The lights were dim. They were playing techno music in the living room; pounding sounds and rainbow lights streaking across the walls. Often this was too intense for the four of us. We would end up on the couch in the next room over. Tom and Erin kept to themselves, letting us have our own experience. N– asked Lisey, “What’s the meaning of life?” “Show your teeth!” Lisey said.

More folks showed up; including an older queer guy who I was instantly voraciously curious about. He was a character, a big hulking guy wearing a feathered top hat. He had a thick West Virginia accent. I hadn’t met many queer people at this point. I was asking him a million questions. “Damn, hippie, you writin a book?” he said, and laughed.

Later I bonded with Kari. We were sitting on the couch together, apart from everyone else. “Sometimes I look at people and I wonder, are they really happy?” she said. This was just the sort of cynicism I could relate to. I knew then that she was a friend.

We started to come down. N– was feeling crappy. “What’s wrong guys?” Tom asked us. “We’re bummed cause we’re coming down,” N– said. “Well, there’s a remedy for that,” Tom said in a knowing way. He brought out a little green plastic snorter, and we did bumps of ecstasy mixed with ketamine. I don’t remember feeling much from that.

Nor do I remember sleeping over. I know we left in the morning. It was a sunny, pretty morning. I felt mellow and good; I think we all did. We stopped at a rest stop. “Who makes rest stops?” N– wondered. “The state, I guess,” I said. “Oh,” N– said. “States are nice.”

We laughed about that one the rest of the way home. “States are nice.” States are nice, because the rest stop is nice; because we can drink water at the rest stop and go to the bathroom and buy a snack, too.

I don’t want to put a negative slant on the experience, though it wasn’t all good; and my further experiences with ecstasy weren’t all good either. But the simple gratitude and empathy the drug often engendered are worth noting. “States are nice.” Why not?

*names changed